“Batman” was one of the most expected films of recent years. Although the DC movie catalog was usually a hit or missed, the trailers and promotional materials for this latest classic character adaptation looked promising. I’m happy to say that excited fans can sigh with relief: “Batman” is good. And not the good that accompanies a shrug and subsequent amnesia. It’s more kind of well “enthusiastically-glued to my seat for three hours”.

From the first few scenes it is clear that the director Matt Reeves (“Dawn of the Planet of the Apes”) had a very specific tone and vision of the world of “Batman”. Gotham City is as dark and depressing as Christopher Nolan’s ultra-realistic trilogy, but it also carries an eccentric, gothic quality to preserve a mass of comics that was missing in previous films. Gotham shares DNA with an unnamed city in «Se7en”(David Fincher,“ Gone Girl ”) in the sense that it is gloomy and insatiable, but also feels unusual and unusual enough to, fortunately, separate oneself from reality.

And although Fincher’s elements are many, much of the plot unfolds with the investigative structure and tense atmosphere seen in “ZodiacReeves included many elements from other parts of the film canon. At a virtual press conference, Reeves said, “It’s like ‘All the President’s People,’ and there’s a little ‘(The) French Connection’ and there’s a little ‘Taxi Driver.’ Films of the 70’s. The finished Batman product quite clearly reflects these effects using trademarks cynical 70s crime films, such as high-level conspiracies and psychologically turbulent characters, with aplomb.

Source link